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Burke Walker turned me on to this play.  I liked the challenge of tackling a production so intimidating--couldn’t begin to understand it, let alone cultivate a vision for it, until after many reads.  Fortunately, my bestie Chris Welch was allowed to step in and showed the world class talent that sent him to Broadway, film and television.  My mentor, Sue-Ellen Case was invaluable in opening my mind to the world of semiotics, deconstruction, post-modernism and the politics of language.

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